A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 220
... spatial design in painting . In both cases , however , it is clear not only that the qualitative orders re- quire either spatial or temporal extension of their elements in order to be concretely present to an organism , but also that ...
... spatial design in painting . In both cases , however , it is clear not only that the qualitative orders re- quire either spatial or temporal extension of their elements in order to be concretely present to an organism , but also that ...
Pagina 221
... spatial and temporal elements and forms . Our vastly greater systematization of what we have distinguished by abstraction of the features of the spatial and temporal aspects of our world in mathematics and science inclines us to neglect ...
... spatial and temporal elements and forms . Our vastly greater systematization of what we have distinguished by abstraction of the features of the spatial and temporal aspects of our world in mathematics and science inclines us to neglect ...
Pagina 222
... spatial and temporal structures can appear only as qualitied . We keep " quality " as a term for the very purpose of distinguishing such aspects of color and sound from extensional aspects whether spatial or temporal . Why , then , are ...
... spatial and temporal structures can appear only as qualitied . We keep " quality " as a term for the very purpose of distinguishing such aspects of color and sound from extensional aspects whether spatial or temporal . Why , then , are ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision