A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 346
... speaking of physiognomic properties . But since we do not believe that feelings are experienced except by sentient ... speak of " angry sunsets , " " weeping willows , " and the rest . Children , to whom personification comes easily ...
... speaking of physiognomic properties . But since we do not believe that feelings are experienced except by sentient ... speak of " angry sunsets , " " weeping willows , " and the rest . Children , to whom personification comes easily ...
Pagina 447
... speak ) in the background . II A fundamental point alleged against the General Criterion Theory is that works of art are unique . Frequent repetition has not worn off the oddness of this statement . It can be construed in several ways ...
... speak ) in the background . II A fundamental point alleged against the General Criterion Theory is that works of art are unique . Frequent repetition has not worn off the oddness of this statement . It can be construed in several ways ...
Pagina 455
... speak with a fairly high degree of approximation to agreement of the quality of the poem . We shall have more to say about this matter later ; but for the present let it rest at this , that while technically it is true that the quality ...
... speak with a fairly high degree of approximation to agreement of the quality of the poem . We shall have more to say about this matter later ; but for the present let it rest at this , that while technically it is true that the quality ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision