A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 19
... spiritual enrichment . Even the scientists and technicians , who have so largely created the texture and set the tone of modern life , are much more concerned with their factual and technical problems than with imaginative or spiritual ...
... spiritual enrichment . Even the scientists and technicians , who have so largely created the texture and set the tone of modern life , are much more concerned with their factual and technical problems than with imaginative or spiritual ...
Pagina 68
... spiritual , individual and collective , temporal and eternal , lies in the growth of brotherhood among men - in their loving harmony with one another . This perception is not only expressed by Christ and all the best men of past ages ...
... spiritual , individual and collective , temporal and eternal , lies in the growth of brotherhood among men - in their loving harmony with one another . This perception is not only expressed by Christ and all the best men of past ages ...
Pagina 87
... spiritual activity , while matter is changeable . Without matter spiritual activity would not forsake its abstract- ness to become concrete and real activity , this or that spiritual content , this or that definite intuition . It is a ...
... spiritual activity , while matter is changeable . Without matter spiritual activity would not forsake its abstract- ness to become concrete and real activity , this or that spiritual content , this or that definite intuition . It is a ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision