A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 211
... STANDARD Photography , although it has passed its hundredth birthday , has yet to attain such familiarization . In order to understand why this is so , we must examine briefly the historical background of this youngest of the graphic ...
... STANDARD Photography , although it has passed its hundredth birthday , has yet to attain such familiarization . In order to understand why this is so , we must examine briefly the historical background of this youngest of the graphic ...
Pagina 406
... standards of critical judgment , but believes that each standard may be applied with a fair degree of objectivity . A significant standard does not reflect mere personal taste , but springs from a comprehensive orientation toward ...
... standards of critical judgment , but believes that each standard may be applied with a fair degree of objectivity . A significant standard does not reflect mere personal taste , but springs from a comprehensive orientation toward ...
Pagina 453
... standard . The more vivid the experience and the more extensive and rich its quality , the greater its esthetic value . Whatever pleasure it contains is incidental , merely a con- tribution to the situation from an organism involved in ...
... standard . The more vivid the experience and the more extensive and rich its quality , the greater its esthetic value . Whatever pleasure it contains is incidental , merely a con- tribution to the situation from an organism involved in ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision