Dall'interno del libro
Risultati 1-3 di 58
Pagina 271
It is, besides, a common ground against which innovations and the individuality
of particular works may be measured. By considering the succession of works in
time and space and by matching the variations of style with historical events and
...
It is, besides, a common ground against which innovations and the individuality
of particular works may be measured. By considering the succession of works in
time and space and by matching the variations of style with historical events and
...
Pagina 278
some styles, by virtue of their open, irregular forms, can tolerate the unfinished
and heterogeneous better than others. ... of the spacing and tones — but these
are not the elements through which either style would ordinarily be characterized.
some styles, by virtue of their open, irregular forms, can tolerate the unfinished
and heterogeneous better than others. ... of the spacing and tones — but these
are not the elements through which either style would ordinarily be characterized.
Pagina 548
Style in the Fine Arts, Music and the Dance, New York: Norton, 1946. Virden, Phil,
"The Social Determinants of Art Styles," BJA 12 (1972). X.ucker, Paul, Styles in
Painting, New York: Viking, 1950, especially Chap. 1. Also style is frequently ...
Style in the Fine Arts, Music and the Dance, New York: Norton, 1946. Virden, Phil,
"The Social Determinants of Art Styles," BJA 12 (1972). X.ucker, Paul, Styles in
Painting, New York: Viking, 1950, especially Chap. 1. Also style is frequently ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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