A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 271
... style or specific traits . The historical study of individual and group styles also discloses typical stages and processes in the development of forms . For the synthesizing historian of culture or the philosopher of history , the style ...
... style or specific traits . The historical study of individual and group styles also discloses typical stages and processes in the development of forms . For the synthesizing historian of culture or the philosopher of history , the style ...
Pagina 278
... style will per- haps lead to a more refined conception of style . It is evident , at any rate , that the conception of style as a visibly unified constant rests upon a particular norm of stability of style and shifts from the large to ...
... style will per- haps lead to a more refined conception of style . It is evident , at any rate , that the conception of style as a visibly unified constant rests upon a particular norm of stability of style and shifts from the large to ...
Pagina 548
... style by James S. Ackerman , Catherine Lord , Thomas Munro , William S. New- man , and Marvin Rosenberg ) . Boas , George , " Historical Periods , " JAAC 11 ( 1953 ) . Carpenter , Rhys , Greek Art : A Study of the Formal Evolution of Style ...
... style by James S. Ackerman , Catherine Lord , Thomas Munro , William S. New- man , and Marvin Rosenberg ) . Boas , George , " Historical Periods , " JAAC 11 ( 1953 ) . Carpenter , Rhys , Greek Art : A Study of the Formal Evolution of Style ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision