A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 64
Pagina 295
... symbol . The difference , however , between an art symbol and a genuine symbol are of great interest and importance , for they illuminate the relations that obtain between many kinds of symbols , or things that have been so called ...
... symbol . The difference , however , between an art symbol and a genuine symbol are of great interest and importance , for they illuminate the relations that obtain between many kinds of symbols , or things that have been so called ...
Pagina 296
... symbols has led semanticists to regard these uses as the defining properties of symbols — that is , to think of a symbol as essentially a sign which stands for something else and is used to represent that thing in discourse . This ...
... symbols has led semanticists to regard these uses as the defining properties of symbols — that is , to think of a symbol as essentially a sign which stands for something else and is used to represent that thing in discourse . This ...
Pagina 299
... Symbol and the symbol used in art is a difference not only of function but of kind . Symbols occurring in art are symbols in the usual sense , though of all degrees of complexity , from simplest directness to extreme indirectness , from ...
... Symbol and the symbol used in art is a difference not only of function but of kind . Symbols occurring in art are symbols in the usual sense , though of all degrees of complexity , from simplest directness to extreme indirectness , from ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision