A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 71
... taste ; whereas bitter , as predicated of a taste , is the name not of a capacity or power of that taste , but of that taste quality itself . 7. Aesthetic contemplation . A listener who is attending to the music with interest in its ...
... taste ; whereas bitter , as predicated of a taste , is the name not of a capacity or power of that taste , but of that taste quality itself . 7. Aesthetic contemplation . A listener who is attending to the music with interest in its ...
Pagina 402
... taste of a wine aesthetic ? We can enjoy tastes and smells just as we enjoy sights and sounds - for their own sakes alone , or , if one prefers , for the sake of enjoyment only . It is true that works of art have not , on the whole ...
... taste of a wine aesthetic ? We can enjoy tastes and smells just as we enjoy sights and sounds - for their own sakes alone , or , if one prefers , for the sake of enjoyment only . It is true that works of art have not , on the whole ...
Pagina 441
... taste , his own taste . No artist is known - at least not where the evidence is clear enough — to have arrived at important art with- out having effectively assimilated the best new art of the moment , or moments , just before his own ...
... taste , his own taste . No artist is known - at least not where the evidence is clear enough — to have arrived at important art with- out having effectively assimilated the best new art of the moment , or moments , just before his own ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision