A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 510
... Theory in Esthetics Theory has been central in esthetics and still the preoccupation of the philosophy of art . Its main avowed concern remains the determination of the nature of art ... Theory Morris Weitz: The Role of Theory in Esthetics.
... Theory in Esthetics Theory has been central in esthetics and still the preoccupation of the philosophy of art . Its main avowed concern remains the determination of the nature of art ... Theory Morris Weitz: The Role of Theory in Esthetics.
Pagina 511
... theory - all of it - is wrong in principle in thinking that a correct theory is possible because it radically misconstrues the logic of the concept of art . Its main contention that " art " is amenable to real or any kind of true ...
... theory - all of it - is wrong in principle in thinking that a correct theory is possible because it radically misconstrues the logic of the concept of art . Its main contention that " art " is amenable to real or any kind of true ...
Pagina 529
... theory is capable of formulating adequate generalizations concerning the arts . He states his aim in saying : The basic notion that the five " major arts " constitute an area all by themselves , clearly separated by common ...
... theory is capable of formulating adequate generalizations concerning the arts . He states his aim in saying : The basic notion that the five " major arts " constitute an area all by themselves , clearly separated by common ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision