A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 27
... thing ) . On the other hand , beauty relates to the cognitive faculty ; for beautiful things are those which please when seen . Hence beauty consists in due proportion ; for the senses delight in things duly proportioned , as in what is ...
... thing ) . On the other hand , beauty relates to the cognitive faculty ; for beautiful things are those which please when seen . Hence beauty consists in due proportion ; for the senses delight in things duly proportioned , as in what is ...
Pagina 195
... things , or things ( facts , ideas , anything ) -as - felt . Things - we - are - interested in , things - experienced- as - interesting , exciting , as in some very broad sense of the term , good , evil , attractive , repulsive , etc ...
... things , or things ( facts , ideas , anything ) -as - felt . Things - we - are - interested in , things - experienced- as - interesting , exciting , as in some very broad sense of the term , good , evil , attractive , repulsive , etc ...
Pagina 295
... things that have been so called , and show up the many levels on which symbolic and pseudo - symbolic functions may lie . I think a study of artistic expressiveness shows up a need of a more adaptable , that is to say more general ...
... things that have been so called , and show up the many levels on which symbolic and pseudo - symbolic functions may lie . I think a study of artistic expressiveness shows up a need of a more adaptable , that is to say more general ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision