A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 63
... thoughts by words , may know all that has been done for him in the realms of thought by all humanity before this day , and can in the present , thanks to this capacity to understand the thoughts of others , become a sharer in their ...
... thoughts by words , may know all that has been done for him in the realms of thought by all humanity before this day , and can in the present , thanks to this capacity to understand the thoughts of others , become a sharer in their ...
Pagina 160
... thought to be " life , " even though no one of them is more than a flitting and a sipping . The sentimentalist and ... thought . The difference between the pictures of different paint- ers is due quite as much to differences of capacity ...
... thought to be " life , " even though no one of them is more than a flitting and a sipping . The sentimentalist and ... thought . The difference between the pictures of different paint- ers is due quite as much to differences of capacity ...
Pagina 359
... thought of past rising but the thought also of future rising . All these risings , done by ourselves or watched in others , actually experi- enced or merely imagined , have long since united together in our mind , constituting a sort of ...
... thought of past rising but the thought also of future rising . All these risings , done by ourselves or watched in others , actually experi- enced or merely imagined , have long since united together in our mind , constituting a sort of ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision