A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 53
... tion of light and shade , etc. The instinctive search after this kind of emo- tion or pleasure , the special organ of which is the eye , has given birth to what are called the arts of design - sculpture , painting and architecture . We ...
... tion of light and shade , etc. The instinctive search after this kind of emo- tion or pleasure , the special organ of which is the eye , has given birth to what are called the arts of design - sculpture , painting and architecture . We ...
Pagina 231
... tion is clear , for who has not said that such and such a drawing was excellent as illustration , but as a work of art worthless ? Of course many descriptive pictures possess , amongst other qualities , formal significance , and are ...
... tion is clear , for who has not said that such and such a drawing was excellent as illustration , but as a work of art worthless ? Of course many descriptive pictures possess , amongst other qualities , formal significance , and are ...
Pagina 556
... tion , " Germanic Review 34 ( 1959 ) . Hein , Hilde , " Play as an Aesthetic Con- cept , " JAAC 27 ( 1968 ) . Huizinga , J. , Homo Ludens : A Study of the Play Element in Culture , London : Routledge , 1949 . Kerry , S. S. , Schiller's ...
... tion , " Germanic Review 34 ( 1959 ) . Hein , Hilde , " Play as an Aesthetic Con- cept , " JAAC 27 ( 1968 ) . Huizinga , J. , Homo Ludens : A Study of the Play Element in Culture , London : Routledge , 1949 . Kerry , S. S. , Schiller's ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision