A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 120
... tragedy . But even regarding the classical form of the chorus in Aeschylus and Sophocles , which is known to us , we should deem it blasphemy to speak here of intimations of " constitutional popular representation . " From this ...
... tragedy . But even regarding the classical form of the chorus in Aeschylus and Sophocles , which is known to us , we should deem it blasphemy to speak here of intimations of " constitutional popular representation . " From this ...
Pagina 121
... tragedy , was wont to dwell . It is a domain raised high above the actual paths of mortals . For this chorus the Greek built up the scaffolding of a fictitious natural state and on it placed fictitious natural beings . On this ...
... tragedy , was wont to dwell . It is a domain raised high above the actual paths of mortals . For this chorus the Greek built up the scaffolding of a fictitious natural state and on it placed fictitious natural beings . On this ...
Pagina 516
... tragedy , " in which case it suffers from the logical mistake of trying to define what cannot be defined — of trying to squeeze what is an open concept into an honorific formula for a closed concept . What is supremely important , if ...
... tragedy , " in which case it suffers from the logical mistake of trying to define what cannot be defined — of trying to squeeze what is an open concept into an honorific formula for a closed concept . What is supremely important , if ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision