A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 79
... true side , because , if art be beyond morality , the artist is neither this side of it nor that , but under its empire , insofar as he is a man who cannot withdraw himself from the duties of man , and must look upon art itself— art ...
... true side , because , if art be beyond morality , the artist is neither this side of it nor that , but under its empire , insofar as he is a man who cannot withdraw himself from the duties of man , and must look upon art itself— art ...
Pagina 510
... true or false claim about the essence of art , what characterizes and distinguishes it from everything else . Each of the great theories of art - Formalism , Voluntarism , Emotionalism , Intellectualism , Intuitionism , Organicism ...
... true or false claim about the essence of art , what characterizes and distinguishes it from everything else . Each of the great theories of art - Formalism , Voluntarism , Emotionalism , Intellectualism , Intuitionism , Organicism ...
Pagina 511
... true definition is false . Its attempt to discover the necessary and sufficient properties of art is logically misbegotten for the very simple reason that such a set and , consequently , such a formula about it , is never forthcoming ...
... true definition is false . Its attempt to discover the necessary and sufficient properties of art is logically misbegotten for the very simple reason that such a set and , consequently , such a formula about it , is never forthcoming ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision