A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 77
Pagina 96
... understand what they hear him saying . Now , if one person says something by way of expressing what is in his mind , and another hears and understands him , the hearer who understands him has that same thing in his mind . The ques- tion ...
... understand what they hear him saying . Now , if one person says something by way of expressing what is in his mind , and another hears and understands him , the hearer who understands him has that same thing in his mind . The ques- tion ...
Pagina 234
... understand art ; rather I say that they cannot understand the state of mind of those who understand it best . I do not say that art means nothing or little to them ; I say they miss its full significance . I do not suggest for one ...
... understand art ; rather I say that they cannot understand the state of mind of those who understand it best . I do not say that art means nothing or little to them ; I say they miss its full significance . I do not suggest for one ...
Pagina 433
... understand the unin- telligible . But it is next to obvious that one can understand why it is unin- telligible . If to be intelligible means to be translatable into words , then there are plenty of unintelligibles in the universe . But ...
... understand the unin- telligible . But it is next to obvious that one can understand why it is unin- telligible . If to be intelligible means to be translatable into words , then there are plenty of unintelligibles in the universe . But ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision