A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 82
... unity to the intui- tion is feeling : the intuition is really such because it represents a feeling , and can only appear from and upon that . Not the idea , but the feeling , is what confers upon art the airy lightness of the symbol ...
... unity to the intui- tion is feeling : the intuition is really such because it represents a feeling , and can only appear from and upon that . Not the idea , but the feeling , is what confers upon art the airy lightness of the symbol ...
Pagina 158
... unity to materials ex- ternally disparate and dissimilar . It thus provides unity in and through the varied parts of an experience . When the unity is of the sort already described , the experience has esthetic character even though it ...
... unity to materials ex- ternally disparate and dissimilar . It thus provides unity in and through the varied parts of an experience . When the unity is of the sort already described , the experience has esthetic character even though it ...
Pagina 279
... unity of style that is contrasted with the present diversity is one type of style formation , appropriate to particular aims and condi- tions ; to achieve it today would be impossible without destroying the most cherished values of our ...
... unity of style that is contrasted with the present diversity is one type of style formation , appropriate to particular aims and condi- tions ; to achieve it today would be impossible without destroying the most cherished values of our ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision