Dall'interno del libro
Risultati 1-3 di 31
Pagina 68
... and on the other hand in establishing the principles common to all men which
can and should unite them in one universal brotherhood. And it is on the basis of
this perception that we should appraise all the phenomena of our life and among
...
... and on the other hand in establishing the principles common to all men which
can and should unite them in one universal brotherhood. And it is on the basis of
this perception that we should appraise all the phenomena of our life and among
...
Pagina 79
It is useless to object that the individuality of the image cannot subsist without
reference to the universal, of which that image is the individuation, because we
do not here deny that the universal, as the spirit of God, is everywhere and
animates ...
It is useless to object that the individuality of the image cannot subsist without
reference to the universal, of which that image is the individuation, because we
do not here deny that the universal, as the spirit of God, is everywhere and
animates ...
Pagina 466
It will not become universal as long as man is still uncultivated enough to be in a
position to misuse it; and should it become universal, this could only be brought
about by the kind of culture which would automatically make any misuse of it ...
It will not become universal as long as man is still uncultivated enough to be in a
position to misuse it; and should it become universal, this could only be brought
about by the kind of culture which would automatically make any misuse of it ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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