A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 37
Pagina 79
... universal , of which that image is the individuation , because we do not here deny that the universal , as the spirit of God , is everywhere and animates all things with itself , but we deny that the universal is rendered logically ...
... universal , of which that image is the individuation , because we do not here deny that the universal , as the spirit of God , is everywhere and animates all things with itself , but we deny that the universal is rendered logically ...
Pagina 133
... universal validity of the old legends is explicable only by an equally universal validity of the above - mentioned hypothesis of infantile psychology . I am referring to the legend of King Oedipus and the Oedipus Rex of Sophocles ...
... universal validity of the old legends is explicable only by an equally universal validity of the above - mentioned hypothesis of infantile psychology . I am referring to the legend of King Oedipus and the Oedipus Rex of Sophocles ...
Pagina 462
... universal . It will not become universal as long as man is still uncul- tivated enough to be in a position to misuse it ; and should it become universal , this could only be brought about by the kind of culture which would automatically ...
... universal . It will not become universal as long as man is still uncul- tivated enough to be in a position to misuse it ; and should it become universal , this could only be brought about by the kind of culture which would automatically ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision