A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 74
... vision formulated in images . Halfway between the passivity of sensation and the activity of art is fancy . It is art only in the making because it lacks the unity of genuine intuition . Fancy is too passive ; it allows images and ...
... vision formulated in images . Halfway between the passivity of sensation and the activity of art is fancy . It is art only in the making because it lacks the unity of genuine intuition . Fancy is too passive ; it allows images and ...
Pagina 420
... vision both of what the man of the present day is , with his qualities and failings , and of what the man of the future ought to be , and of what rela- tionship he should try to establish with the universe and with his fellows . What I ...
... vision both of what the man of the present day is , with his qualities and failings , and of what the man of the future ought to be , and of what rela- tionship he should try to establish with the universe and with his fellows . What I ...
Pagina 422
... vision , and then returning from this vision to the text again , is not an innovation of dialectical materialism . The improvement which dia- lectical materialism makes upon this method lies in the fact that by inte- grating the ideas ...
... vision , and then returning from this vision to the text again , is not an innovation of dialectical materialism . The improvement which dia- lectical materialism makes upon this method lies in the fact that by inte- grating the ideas ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision