A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 61
Pagina 236
... vision he sees ob- jects , not as means shrouded in associations , but as pure forms . It is for , or at any rate through , pure form that he feels his inspired emotion . Now to see objects as pure forms is to see them as ends in ...
... vision he sees ob- jects , not as means shrouded in associations , but as pure forms . It is for , or at any rate through , pure form that he feels his inspired emotion . Now to see objects as pure forms is to see them as ends in ...
Pagina 420
... vision both of what the man of the present day is , with his qualities and failings , and of what the man of the future ought to be , and of what rela- tionship he should try to establish with the universe and with his fellows . What I ...
... vision both of what the man of the present day is , with his qualities and failings , and of what the man of the future ought to be , and of what rela- tionship he should try to establish with the universe and with his fellows . What I ...
Pagina 422
... vision , and then returning from this vision to the text again , is not an innovation of dialectical materialism . The improvement which dia- lectical materialism makes upon this method lies in the fact that by inte- grating the ideas ...
... vision , and then returning from this vision to the text again , is not an innovation of dialectical materialism . The improvement which dia- lectical materialism makes upon this method lies in the fact that by inte- grating the ideas ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision