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Pagina 276
They all seem to be marked by the expression of the whole, or there is a
dominant feature to which the elements have been adapted. The parts of a Greek
temple have the air of a family of forms. In Baroque art, a taste for movement
determines ...
They all seem to be marked by the expression of the whole, or there is a
dominant feature to which the elements have been adapted. The parts of a Greek
temple have the air of a family of forms. In Baroque art, a taste for movement
determines ...
Pagina 415
aspect of a less abstract reality: that of the whole, living man. And in his turn, this
man is only an element in a whole made up of the social group to which he
belongs. An idea which he expresses or a book which he writes can acquire their
real ...
aspect of a less abstract reality: that of the whole, living man. And in his turn, this
man is only an element in a whole made up of the social group to which he
belongs. An idea which he expresses or a book which he writes can acquire their
real ...
Pagina 456
If we analyze it to find the relations of its details, we diffuse the unity and lose the
quality of the whole, or at least diminish its vividness in following out the details.
Do you see that too? For we have done both. We have both synthesized and ...
If we analyze it to find the relations of its details, we diffuse the unity and lose the
quality of the whole, or at least diminish its vividness in following out the details.
Do you see that too? For we have done both. We have both synthesized and ...
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Indice
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 4, illustrata |
| Editore | Holt, Rinehart and Winston, 1973 |
| ISBN | 0030017564, 9780030017568 |
| Lunghezza | 568 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |