A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 258
... wish , expressed in a sensuous shape , through which both imagination and the wish acquire clarity , objectivity , and communicability . Or to put the same thing in a different way , a work of art is a reconstruction of sensuous reality ...
... wish , expressed in a sensuous shape , through which both imagination and the wish acquire clarity , objectivity , and communicability . Or to put the same thing in a different way , a work of art is a reconstruction of sensuous reality ...
Pagina 259
... wish has mastered the medium also . So that now we scarcely regard anything as a work of art unless it has this character of complete expressiveness . And where the form is most plastic to desire , there we agree that a work of art is ...
... wish has mastered the medium also . So that now we scarcely regard anything as a work of art unless it has this character of complete expressiveness . And where the form is most plastic to desire , there we agree that a work of art is ...
Pagina 260
... wish is never fulfilled in the machine itself as an object to be contemplated , as the wish is satisfied with art , but only through the use of the machine . To be sure , if well fashioned , a machine offers to the imagination a ...
... wish is never fulfilled in the machine itself as an object to be contemplated , as the wish is satisfied with art , but only through the use of the machine . To be sure , if well fashioned , a machine offers to the imagination a ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision