A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 138
... word ; the other is a story reaction . Because words are few they are what Freud called " over - determined . " One word has many affective associations because it has many " meanings " ( for example , the word " brute " can mean a ...
... word ; the other is a story reaction . Because words are few they are what Freud called " over - determined . " One word has many affective associations because it has many " meanings " ( for example , the word " brute " can mean a ...
Pagina 145
... word drags behind it a vast bag and baggage of emotional associations , picked up in the thousands of dif- ferent circumstances in which the word was used . It is these associations that provided the latent content of affect which is ...
... word drags behind it a vast bag and baggage of emotional associations , picked up in the thousands of dif- ferent circumstances in which the word was used . It is these associations that provided the latent content of affect which is ...
Pagina 147
... word into contact . It is like a switch- board ; some of the affective associations fade away directly they enter it , others run down into other words and alter their color ; others blend to- gether and heighten a particular word . The ...
... word into contact . It is like a switch- board ; some of the affective associations fade away directly they enter it , others run down into other words and alter their color ; others blend to- gether and heighten a particular word . The ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision