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Pagina 418
In my view, such an instrument is to be found in the concept of the world vision. In
itself, this concept is not dialectical in origin, and has been widely used by Dilthey
and his school. Unfortunately, they have done so in a very vague way, and ...
In my view, such an instrument is to be found in the concept of the world vision. In
itself, this concept is not dialectical in origin, and has been widely used by Dilthey
and his school. Unfortunately, they have done so in a very vague way, and ...
Pagina 420
What I have called a "world vision" is a convenient term for the whole complex of
ideas, aspirations and feelings which links together the members of a social
group (a group which, in most cases, assumes the existence of a social class)
and ...
What I have called a "world vision" is a convenient term for the whole complex of
ideas, aspirations and feelings which links together the members of a social
group (a group which, in most cases, assumes the existence of a social class)
and ...
Pagina 423
This statement is, of course, true only so long as the concept of the world vision is
considered in the abstract, as an attempt to solve certain fundamental human
problems and to give each of them its own importance. As we move away from
the ...
This statement is, of course, true only so long as the concept of the world vision is
considered in the abstract, as an attempt to solve certain fundamental human
problems and to give each of them its own importance. As we move away from
the ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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