A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 405
... world vision . " " The tragic vision of life , " for example , is a social creation of many artists and thinkers , whose individual works are intelligible only within its context . The value of a work of art is to be judged not only in ...
... world vision . " " The tragic vision of life , " for example , is a social creation of many artists and thinkers , whose individual works are intelligible only within its context . The value of a work of art is to be judged not only in ...
Pagina 420
... world vision " is a convenient term for the whole complex of ideas , aspirations and feelings which links together the mem- bers of a social group ( a group which , in most cases , assumes the existence of a social class ) and which ...
... world vision " is a convenient term for the whole complex of ideas , aspirations and feelings which links together the mem- bers of a social group ( a group which , in most cases , assumes the existence of a social class ) and which ...
Pagina 422
... world vision " ) , which gives its meaning and significance to Hume's position . Similarly , in the dialogue between Pascal and Monsieur de Saci ( which , although a transcription by Fontaine , is probably very close to the original ...
... world vision " ) , which gives its meaning and significance to Hume's position . Similarly , in the dialogue between Pascal and Monsieur de Saci ( which , although a transcription by Fontaine , is probably very close to the original ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision