Shakespeare's Centurie of Prayse: Being Materials for a History of Opinion on Shakespeare and His Works, Culled from Writers of the First Century After His RiseClement Mansfield Ingleby For the editor, printed by J. Allen of Birmingham & pub. by Trübner & Company, 1874 - 362 pagine |
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Shakespeare's Centurie of Prayse: Being Materials for a History of Opinion ... Clement Mansfield Ingleby Visualizzazione completa - 1874 |
Shakespeare's Centurie of Prayse: Being Materials for a History of Opinion ... Clement Mansfield Ingleby Visualizzazione completa - 1874 |
Shakespeare's Centurie of Prayse: Being Materials for a History of Opinion ... Clement Mansfield Ingleby Visualizzazione completa - 1874 |
Parole e frasi comuni
Actors admire allusion Avon Beaumont becauſe Ben Jonson beſt Cæfar CENTURIE OF PRAYSE Comedies copy doth English epigram eſpecially excellent extract faid Falſtaffe fame feems felfe fince firſt Fletcher fome ftill fuch hath Henry himſelf houſe J. P. Collier JOHN DRYDEN JOHN MARSTON Johnfon Johnſon Jonson Juliet Julius Cæsar King laft laſt leaſt lines live Lord Lucrece Mafter manuscript merry moft moſt Mufes Muſes muſt Nature never Ovid paffions perfon Plautus play Playes pleaſe pleaſure Poems Poets praiſe prefixed preſent printed Prologue Rape of Lucrece Richard Richard Brome ſay ſcarce ſee ſeems Shake SHAKESPEARE'S CENTURIE ſhall ſhe ſhould Sir John ſome ſpeake Spencer ſtage Stratford Stratford upon Avon ſuch thee theſe thofe Thomas Thomas Nash thoſe thou Tragedy unto uſed Venus and Adonis Verfes Verſe verses Virbius whofe whoſe William Shakespeare worthy write
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Pagina 93 - His mind and hand went together ; and what he thought, he uttered with that easiness, that we have scarce received from him a blot in his papers.
Pagina 25 - Midsummers night dreame, and his Merchant of Venice; for tragedy, his Richard the 2, Richard the 3, Henry the 4, King John, Titus Andronicus and his Romeo and Juliet.
Pagina 253 - All the images of nature were still present to him, and he drew them not laboriously but luckily: when he describes anything you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read Nature; he looked inwards, and found her there.
Pagina 286 - Why should that name be sounded more than yours ? Write them together, yours is as fair a name; Sound them, it doth become the mouth as well; Weigh them, it is as heavy; conjure with 'em, Brutus will start a spirit as soon as Caesar.
Pagina 171 - So that the sum of all is, ready writing makes not good writing, but good writing brings on ready writing.
Pagina 72 - Comedy, he determined to see whether it would sort to a happier end for this new actor, then it did for the old player.
Pagina 145 - Falstaff come, Hal, Poins, the rest, — you scarce shall have a room, All is so pester'd : Let but Beatrice And Benedick be seen, lo ! in a trice The cock-pit, galleries, boxes, all are full, To hear Malvolio, that cross-garter'd gull.
Pagina 114 - I behold like a Spanish great galleon and an English man-of-war. Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
Pagina 273 - ... we who ape his sounding words, have nothing of his thought, but are all outside; there is not so much as a dwarf within our giant's clothes.
Pagina 183 - Philomel, with melody Sing in our sweet lullaby ; Lulla, lulla, lullaby, lulla, lulla, lullaby : Never harm, Nor spell nor charm, Come our lovely lady nigh ; So, good night, with lullaby.