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PRELIMINARY Artists Critics and Philosophers
Methods of Approach
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activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty bodily body called certainly chapter character cognised colours and sounds complex conscious contemplation course critic Croce definite difficult discuss drama effects embodied emotions example exist fact feeling fulfilment function fused hand human I. A. Richards idea images imagination imitation implies important imputed interest kind Lascelles Abercrombie mathematical proof matter meaning mental merely mind moral nature Olaf Stapledon organic painting perceived object perception perfection perhaps perspective philosopher picture pleasure poem poetry possess possible problem programme music proposition psychology Psychology of Beauty question reality relation revealed romanticism sensa sense sense data sensuous significance simple sometimes sounds and colours speaking suggest symphony teleological tendency term terminal object theory things tion tragedy true truth ugliness unity unpleasant vision visual words