A Study in AestheticsG. Allen & Unwin, 1931 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 52
... object apprehended in aesthetic experience , ( 2 ) imaginative contem- plation , ( 3 ) embodiment of value . III . THE AESTHETIC OBJECT ( 1 ) In aesthetic perception what is the object contemplated ? The answer is , a perceived - object ...
... object apprehended in aesthetic experience , ( 2 ) imaginative contem- plation , ( 3 ) embodiment of value . III . THE AESTHETIC OBJECT ( 1 ) In aesthetic perception what is the object contemplated ? The answer is , a perceived - object ...
Pagina 60
... object . There is no intrinsic reason why this should not happen . There are only the same difficulties which were ... perceived object or ' body ' is not literally situated in ' the body ' . The ' joy ' expressed in music is not ...
... object . There is no intrinsic reason why this should not happen . There are only the same difficulties which were ... perceived object or ' body ' is not literally situated in ' the body ' . The ' joy ' expressed in music is not ...
Pagina 62
... object perceived ' imaginatively ' is an aesthetic object . This , though true as far as it goes , is not a complete statement . For not every existing perceived object is , as it stands , fully aesthetically satisfying or beautiful ...
... object perceived ' imaginatively ' is an aesthetic object . This , though true as far as it goes , is not a complete statement . For not every existing perceived object is , as it stands , fully aesthetically satisfying or beautiful ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted associations beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic ontological painting perceived object perception perfection of expression perhaps perspective philosopher picture pleasure poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words