A Study in AestheticsG. Allen & Unwin, 1931 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 14
... philosopher is sometimes attacked by the artist as an interfering meddler who tries to teach artists their proper ... philosopher for meddling with his affairs . Let us investigate the grounds of these quarrels between artist and ...
... philosopher is sometimes attacked by the artist as an interfering meddler who tries to teach artists their proper ... philosopher for meddling with his affairs . Let us investigate the grounds of these quarrels between artist and ...
Pagina 17
... philosopher , then , is attacked by the artist and the critic . If the philosopher in turn can be said to attack at all ( apart from defending himself or retaliating ) his attack is more of the nature of an assumption of a certain ...
... philosopher , then , is attacked by the artist and the critic . If the philosopher in turn can be said to attack at all ( apart from defending himself or retaliating ) his attack is more of the nature of an assumption of a certain ...
Pagina 18
... philosopher were laying down the law to the artist . But the philosopher is using the term ' must ' not in a normative sense , not in the sense of some categorical imperative , but rather as describing , as far as he can see , what does ...
... philosopher were laying down the law to the artist . But the philosopher is using the term ' must ' not in a normative sense , not in the sense of some categorical imperative , but rather as describing , as far as he can see , what does ...
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activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted associations beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic ontological painting perceived object perception perfection of expression perhaps perspective philosopher picture pleasure poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words