A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina iv
An Anthology Melvin Miller Rader. BH21 R3 1952 Copyright , 1935 , 1952 c.5 by Henry Holt and Company , Inc. Printed in ... Andrew Cecil Bradley , 1909 ; and Science and the Modern World , by Alfred North Whitehead , 1925 . Hogarth Press ...
An Anthology Melvin Miller Rader. BH21 R3 1952 Copyright , 1935 , 1952 c.5 by Henry Holt and Company , Inc. Printed in ... Andrew Cecil Bradley , 1909 ; and Science and the Modern World , by Alfred North Whitehead , 1925 . Hogarth Press ...
Pagina 335
An Anthology Melvin Miller Rader. ANDREW CECIL BRADLEY POETRY FOR POETRY'S SAKE Without aiming here at accuracy , we may say that an actual poem is the ... Andrew Cecil Bradley: Poetry for Poetry's Sake From Oxford Lectures on Poetry.
An Anthology Melvin Miller Rader. ANDREW CECIL BRADLEY POETRY FOR POETRY'S SAKE Without aiming here at accuracy , we may say that an actual poem is the ... Andrew Cecil Bradley: Poetry for Poetry's Sake From Oxford Lectures on Poetry.
Pagina 343
... c . What is here called " substance " is what people generally mean when they use the word " subject " and insist on the value of the subject . I am not arguing against this usage , or in favor of the usage which ... ANDREW CECIL BRADLEY 343.
... c . What is here called " substance " is what people generally mean when they use the word " subject " and insist on the value of the subject . I am not arguing against this usage , or in favor of the usage which ... ANDREW CECIL BRADLEY 343.
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
24 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words