A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 230
... Bosanquet discusses the medium , Prall the abstract sensuous elements , and Hospers , Richards , and Morris discuss expression more broadly , including the ref- erential materials . According to BERNARD BOSANQUET ( 1848-1923 ) , a dis ...
... Bosanquet discusses the medium , Prall the abstract sensuous elements , and Hospers , Richards , and Morris discuss expression more broadly , including the ref- erential materials . According to BERNARD BOSANQUET ( 1848-1923 ) , a dis ...
Pagina 235
An Anthology Melvin Miller Rader. BERNARD BOSANQUET THE ESTHETIC ATTITUDE IN ITS EMBODIMENTS Why are there different arts ? The simple answer to this question takes us , I believe , to the precise root and source of the whole principle ...
An Anthology Melvin Miller Rader. BERNARD BOSANQUET THE ESTHETIC ATTITUDE IN ITS EMBODIMENTS Why are there different arts ? The simple answer to this question takes us , I believe , to the precise root and source of the whole principle ...
Pagina 243
... " the real sting of even the crudest glorification of copying is this wonder that you can carry off with you a thing's soul , and leave its body behind . " the Parthenon . The point of the esthetic attitude lies BERNARD BOSANQUET 243.
... " the real sting of even the crudest glorification of copying is this wonder that you can carry off with you a thing's soul , and leave its body behind . " the Parthenon . The point of the esthetic attitude lies BERNARD BOSANQUET 243.
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words