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Pagina 382
1 Such detachment from practical interests is emphasized by Edward BULLOUGH ( 1880- ) , a distinguished British psychologist , in his concept of " psychical distance . ” Esthetic distance , he explains , has two aspects : First , there ...
1 Such detachment from practical interests is emphasized by Edward BULLOUGH ( 1880- ) , a distinguished British psychologist , in his concept of " psychical distance . ” Esthetic distance , he explains , has two aspects : First , there ...
Pagina 414
In fact , the whole censorship problem , as far as it does not turn upon purely economic questions , may be said to hinge upon Distance ; if every member of the public could be trusted to keep it , there would be no sense whatever in ...
In fact , the whole censorship problem , as far as it does not turn upon purely economic questions , may be said to hinge upon Distance ; if every member of the public could be trusted to keep it , there would be no sense whatever in ...
Pagina 419
Even Greek dramatic practice appears to have aimed , for similar purposes and in marked contrast to our stage - habits , at an increase rather than at a decrease of Distance . Otherwise Greek Art , even of a religious type ...
Even Greek dramatic practice appears to have aimed , for similar purposes and in marked contrast to our stage - habits , at an increase rather than at a decrease of Distance . Otherwise Greek Art , even of a religious type ...
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Parole e frasi comuni
abstract action activity actual affective appear appreciation artist aspect associations attitude beauty become called character color common complete connection consciousness course created criticism definition desire direct Distance distinction distinguished dream elements emotional esthetic example existence experience expression external fact feeling function give given hand human ideas images imaginative imitation important individual instinctive interest intuition kind knowledge language less live look material matter means merely mind moral move movement nature never novel object organization original ourselves painting particular perception perhaps person phantasies physical picture play pleasure poem poet poetry possible practical present produce pure question reality reason relation represented result sense shape significance simple social soul sound speak symbols theory things thought tion true truth turn unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |