A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 382
... distance . " Esthetic distance , he explains , has two aspects : First , there is a negative , inhibitory side - which consists of " a putting of the object out of gear with our practical needs and ends . " Second , there is a positive ...
... distance . " Esthetic distance , he explains , has two aspects : First , there is a negative , inhibitory side - which consists of " a putting of the object out of gear with our practical needs and ends . " Second , there is a positive ...
Pagina 419
... Distance has appeared at intervals , for apparently no other reason than that the great Distance was felt to be essential to its artcharacter . What is noteworthy and runs counter to many accepted ideas is that such periods were usually ...
... Distance has appeared at intervals , for apparently no other reason than that the great Distance was felt to be essential to its artcharacter . What is noteworthy and runs counter to many accepted ideas is that such periods were usually ...
Pagina 425
... Distance has often been consciously striven after , whether with esthetically satisfactory results is much disputed . 6 A general help towards Distance ( and therewith an antirealistic feature ) is to be found in the " unification of ...
... Distance has often been consciously striven after , whether with esthetically satisfactory results is much disputed . 6 A general help towards Distance ( and therewith an antirealistic feature ) is to be found in the " unification of ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organization original painting particular patterns perception perhaps physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation result scientific seems sense significant social sound speak suggest theory things thought tion true truth understand unity universal whole