A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 130
An Anthology Melvin Miller Rader. of Freud's esthetic doctrines , including his later theory of the Id , the Ego , and the Super - Ego - a theory which does not appear in " The Relation of the Poet to Daydreaming . " Unfortunately , Freud ...
An Anthology Melvin Miller Rader. of Freud's esthetic doctrines , including his later theory of the Id , the Ego , and the Super - Ego - a theory which does not appear in " The Relation of the Poet to Daydreaming . " Unfortunately , Freud ...
Pagina 146
... Freud's Theory That was the point reached by Freud in 1917 , and since then he has not greatly modified his theory of the nature of the artist . In some of his earlier papers there are , however , one or two observations which throw ...
... Freud's Theory That was the point reached by Freud in 1917 , and since then he has not greatly modified his theory of the nature of the artist . In some of his earlier papers there are , however , one or two observations which throw ...
Pagina 147
... Freud declared himself defeated . For him it is a mystery . The pleasure given by a work of art is probably very complex in its workings , but of one thing Freud is certain : the technique of the poet or the artist is in some way a ...
... Freud declared himself defeated . For him it is a mystery . The pleasure given by a work of art is probably very complex in its workings , but of one thing Freud is certain : the technique of the poet or the artist is in some way a ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words