A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 67
... Greek identification of good conduct with conduct having proportion , grace , and harmony , the kalon - agathon , is a more obvious example of distinctive esthetic quality in moral action . One great defect in what passes as moral- ity ...
... Greek identification of good conduct with conduct having proportion , grace , and harmony , the kalon - agathon , is a more obvious example of distinctive esthetic quality in moral action . One great defect in what passes as moral- ity ...
Pagina 419
... Greek dramatic practice appears to have aimed , for similar purposes and in marked contrast to our stage - habits , at an increase rather than at a decrease of Distance . Other- wise Greek Art , even of a religious type , is remarkable ...
... Greek dramatic practice appears to have aimed , for similar purposes and in marked contrast to our stage - habits , at an increase rather than at a decrease of Distance . Other- wise Greek Art , even of a religious type , is remarkable ...
Pagina 421
... Greek mythological sculpture , of early Christian saints and martyrs must be considerably distanced , com- pared with that of the Greek and medieval worshiper . It is in part the result of lapse of time , but in part also a real change ...
... Greek mythological sculpture , of early Christian saints and martyrs must be considerably distanced , com- pared with that of the Greek and medieval worshiper . It is in part the result of lapse of time , but in part also a real change ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words