A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 264
... Hanslick and Gurney point also to the fact that most persons , as they become better acquainted with music , cease to talk about it in “ emotive " terms and use strictly musical phraseology . It would probably be superfluous here to ...
... Hanslick and Gurney point also to the fact that most persons , as they become better acquainted with music , cease to talk about it in “ emotive " terms and use strictly musical phraseology . It would probably be superfluous here to ...
Pagina 277
... Hanslick say that music has " no meaning " they intend to say that it should have no meaning in the sense of no evoked effects , that its effect upon the listener is of no consequence . If it pro- duced no effects of any kind upon ...
... Hanslick say that music has " no meaning " they intend to say that it should have no meaning in the sense of no evoked effects , that its effect upon the listener is of no consequence . If it pro- duced no effects of any kind upon ...
Pagina 278
... Hanslick asserts in one place ! ) , but that music has no meaning in the sense of life - meaning ; not that music ... Hanslick and Gurney object to the use of words to describe music , and Sullivan " grants " that they are objectionable ...
... Hanslick asserts in one place ! ) , but that music has no meaning in the sense of life - meaning ; not that music ... Hanslick and Gurney object to the use of words to describe music , and Sullivan " grants " that they are objectionable ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words