A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina v
... John Hospers , 1946 . I. A. Richards : Science and Poetry , by I. A. Richards , published by W. W. Norton and Company , 1926 , second revised edition , Kegan Paul , Trench , Trubner and Company , 1935 . Charles Morris and the editors of ...
... John Hospers , 1946 . I. A. Richards : Science and Poetry , by I. A. Richards , published by W. W. Norton and Company , 1926 , second revised edition , Kegan Paul , Trench , Trubner and Company , 1935 . Charles Morris and the editors of ...
Pagina ix
... John Hospers : Meaning in Music . From Meaning and Truth in the Arts 258 4. I. A. Richards : Science and Poetry . From Science and Poetry 283 5. Charles W. Morris : Science , Art , and Technology . From The Kenyon Review , Vol . 1 ...
... John Hospers : Meaning in Music . From Meaning and Truth in the Arts 258 4. I. A. Richards : Science and Poetry . From Science and Poetry 283 5. Charles W. Morris : Science , Art , and Technology . From The Kenyon Review , Vol . 1 ...
Pagina 258
An Anthology Melvin Miller Rader. JOHN HOSPERS MEANING IN MUSIC SI In general , there are two schools of musical meaning , one consisting of the persons . . . who hold either ... John Hospers: Meaning in Music From Meaning Truth in the Arts.
An Anthology Melvin Miller Rader. JOHN HOSPERS MEANING IN MUSIC SI In general , there are two schools of musical meaning , one consisting of the persons . . . who hold either ... John Hospers: Meaning in Music From Meaning Truth in the Arts.
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words