A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina v
An Anthology Melvin Miller Rader. W. P. Montague and Presses Universitaires de France : " Beauty Is Not All : A Plea ... Melvin Rader , Journal of Philosophy , Volume 44 ( 1947 ) . ( About one third of this article is included in the ...
An Anthology Melvin Miller Rader. W. P. Montague and Presses Universitaires de France : " Beauty Is Not All : A Plea ... Melvin Rader , Journal of Philosophy , Volume 44 ( 1947 ) . ( About one third of this article is included in the ...
Pagina ix
An Anthology Melvin Miller Rader. PART TWO The Work of Art V. Sensuous and Expressive Materials 229 1. Bernard ... Melvin Rader ) 429 4. Wilhelm Worringer : Abstraction and Empathy . From Abstraktion und Einfühlung ( Translated by Bernard ...
An Anthology Melvin Miller Rader. PART TWO The Work of Art V. Sensuous and Expressive Materials 229 1. Bernard ... Melvin Rader ) 429 4. Wilhelm Worringer : Abstraction and Empathy . From Abstraktion und Einfühlung ( Translated by Bernard ...
Pagina 381
An Anthology Melvin Miller Rader. The Esthetic Attitude 1. HUGO MÜNSTERBERG : Connection in Science and Isolation in ... Melvin Rader ) . 4. WILHELM WORRINGER : Abstraction and Empathy . From Ab- straktion und Einfühlung ( Translated by ...
An Anthology Melvin Miller Rader. The Esthetic Attitude 1. HUGO MÜNSTERBERG : Connection in Science and Isolation in ... Melvin Rader ) . 4. WILHELM WORRINGER : Abstraction and Empathy . From Ab- straktion und Einfühlung ( Translated by ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words