A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 466
An Anthology Melvin Miller Rader. Criticism 1. THEODORE MEYER GREENE : The Nature and Criteria of Criticism . From The Arts and the Art of Criticism . 2. CURT JOHN DUCASSE : Standards of ... Theodore Meyer Greene: The Nature and Criteria.
An Anthology Melvin Miller Rader. Criticism 1. THEODORE MEYER GREENE : The Nature and Criteria of Criticism . From The Arts and the Art of Criticism . 2. CURT JOHN DUCASSE : Standards of ... Theodore Meyer Greene: The Nature and Criteria.
Pagina 470
An Anthology Melvin Miller Rader. THEODORE MEYER GREENE THE NATURE AND CRITERIA OF CRITICISM I The Three Aspects of Criticism1 A work of art is a unique , individual whole - a self - con- tained artistic " organism " with a " life " and ...
An Anthology Melvin Miller Rader. THEODORE MEYER GREENE THE NATURE AND CRITERIA OF CRITICISM I The Three Aspects of Criticism1 A work of art is a unique , individual whole - a self - con- tained artistic " organism " with a " life " and ...
Pagina 599
... Theodore Meyer , xxvi , 466 , 468-469 ; quoted , 470-479 Gurney , Edmund , 233 , 258-264 , 266-270 , 273-281 , 312 ... Theodor , xxxi , 34 , 383-386 , 443-446 , 457-459 ; quoted , 444-446 , 456 , 459 literature ( see also poetry , novel ...
... Theodore Meyer , xxvi , 466 , 468-469 ; quoted , 470-479 Gurney , Edmund , 233 , 258-264 , 266-270 , 273-281 , 312 ... Theodor , xxxi , 34 , 383-386 , 443-446 , 457-459 ; quoted , 444-446 , 456 , 459 literature ( see also poetry , novel ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words