A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 383
... Wilhelm WORRINGER ( 1881- ) , an important German art his- torian . Worringer takes as his point of departure the contrast between “ abstraction ” and “ empathy . " First fully described by Theodor Lipps ( 1851-1914 ) , empathy con ...
... Wilhelm WORRINGER ( 1881- ) , an important German art his- torian . Worringer takes as his point of departure the contrast between “ abstraction ” and “ empathy . " First fully described by Theodor Lipps ( 1851-1914 ) , empathy con ...
Pagina 453
... no constructive function , it was sought to destroy the impression of free space and to steady man's helpless gaze . Cf. Riegl , Spätrömische Kunstindustrie , Chap . I. way finding a resting - place in the flight of WILHELM WORRINGER 453.
... no constructive function , it was sought to destroy the impression of free space and to steady man's helpless gaze . Cf. Riegl , Spätrömische Kunstindustrie , Chap . I. way finding a resting - place in the flight of WILHELM WORRINGER 453.
Pagina 459
... himself : but he is the pure , will - less , painless , timeless subject of per- ception . " ( Cf. the third book of The World as Will and Idea . ) VERNON LEE EMPATHY The mountain rises . What do we WILHELM WORRINGER 459.
... himself : but he is the pure , will - less , painless , timeless subject of per- ception . " ( Cf. the third book of The World as Will and Idea . ) VERNON LEE EMPATHY The mountain rises . What do we WILHELM WORRINGER 459.
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words