A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 231
... abstract sensuous qualities , such as line , shape , and color in the visual arts , or pitch , timbre , and degree of loudness in the auditory arts , may be considered apart from the particular medium and form of art ( color , for ...
... abstract sensuous qualities , such as line , shape , and color in the visual arts , or pitch , timbre , and degree of loudness in the auditory arts , may be considered apart from the particular medium and form of art ( color , for ...
Pagina 254
... abstract relations subsist have literally vanished , as points have become by definition the vanishing points of lines , and lines the vanishing points or disappearing boundaries between intersecting planes . Space and time have become ...
... abstract relations subsist have literally vanished , as points have become by definition the vanishing points of lines , and lines the vanishing points or disappearing boundaries between intersecting planes . Space and time have become ...
Pagina 558
... abstract mechanical forms was pushed further by the constructivists . Artists like Grabo and Moholy - Nagy put together pieces of abstract sculpture , composed of glass , metal plates , spiral springs , wood , which were the ...
... abstract mechanical forms was pushed further by the constructivists . Artists like Grabo and Moholy - Nagy put together pieces of abstract sculpture , composed of glass , metal plates , spiral springs , wood , which were the ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
24 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words