A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina xxviii
... abstract factual descriptions ; they are concrete evaluations - and consequently no merely prosaic and summary statement can do justice to them . We can say , for example , that John Hersey's novel , The Wall , expresses the truth that ...
... abstract factual descriptions ; they are concrete evaluations - and consequently no merely prosaic and summary statement can do justice to them . We can say , for example , that John Hersey's novel , The Wall , expresses the truth that ...
Pagina 254
... abstract relations subsist have literally vanished , as points have become by definition the vanishing points of lines , and lines the vanishing points or disappearing boundaries between intersecting planes . Space and time have become ...
... abstract relations subsist have literally vanished , as points have become by definition the vanishing points of lines , and lines the vanishing points or disappearing boundaries between intersecting planes . Space and time have become ...
Pagina 558
... abstract mechanical forms was pushed further by the constructivists . Artists like Grabo and Moholy - Nagy put together pieces of abstract sculpture , composed of glass , metal plates , spiral springs , wood , which were the ...
... abstract mechanical forms was pushed further by the constructivists . Artists like Grabo and Moholy - Nagy put together pieces of abstract sculpture , composed of glass , metal plates , spiral springs , wood , which were the ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract action activity ANDREW CECIL BRADLEY appear appreciation Aristotle artist aspect attitudes balance beauty become BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition judgments kind knowledge language latent content live manifest content material means Melvin Rader ment merely mind moral nature object organization ourselves painting perceived perception person phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry present principle produce psychological pure relation rhythm rience ROGER FRY scientific sensations sense sensuous social soul sound spatial super-ego theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words