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Risultati 1-3 di 76
Pagina 53
Yet another point about the emotions of the imaginative life - since they require
no responsive action we can give them a new valuation . In real life we must to
some extent cultivate those emotions which lead to useful action , and we are ...
Yet another point about the emotions of the imaginative life - since they require
no responsive action we can give them a new valuation . In real life we must to
some extent cultivate those emotions which lead to useful action , and we are ...
Pagina 66
In short , esthetic cannot be sharply marked off from intellectual experience since
the latter must bear an esthetic stamp to be itself complete . The same statement
holds good of a course of action that is dominantly practical , that is , one that ...
In short , esthetic cannot be sharply marked off from intellectual experience since
the latter must bear an esthetic stamp to be itself complete . The same statement
holds good of a course of action that is dominantly practical , that is , one that ...
Pagina 348
all of this kind that is in the poem ; for in forgetting the words you must have lost
innumerable details of the action and the characters . And , when the question of
value is raised , I must insist that the action and characters , as you conceive
them ...
all of this kind that is in the poem ; for in forgetting the words you must have lost
innumerable details of the action and the characters . And , when the question of
value is raised , I must insist that the action and characters , as you conceive
them ...
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give given hand human ideas images imagination imitation important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organization painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represented result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole