A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 171
... affective cord linking the ideas of " greenness " and " youth " to the word " spring , " constitutes the raw material of poetry . Of course the thing " spring " ( the season ) denoted by the word " spring " also has many affective ...
... affective cord linking the ideas of " greenness " and " youth " to the word " spring , " constitutes the raw material of poetry . Of course the thing " spring " ( the season ) denoted by the word " spring " also has many affective ...
Pagina 175
... affective organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for this reason that a poem is concrete . It is affectively ...
... affective organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for this reason that a poem is concrete . It is affectively ...
Pagina 176
... affective coloring with which he soaks his piece of reality . It may be the old stale coloring , whereas our other poet , in spite of his conventional piece of reality , may achieve a new affective tone . Old poets we shall judge almost ...
... affective coloring with which he soaks his piece of reality . It may be the old stale coloring , whereas our other poet , in spite of his conventional piece of reality , may achieve a new affective tone . Old poets we shall judge almost ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words