A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 66
Pagina 134
... appear to give up the pleasure they derived from play . But anyone who knows anything of the mental life of human beings is aware that hardly anything is more difficult to them than to give up a pleasure they have once tasted . Really ...
... appear to give up the pleasure they derived from play . But anyone who knows anything of the mental life of human beings is aware that hardly anything is more difficult to them than to give up a pleasure they have once tasted . Really ...
Pagina 170
... appear in dream . It is " repressed . " Only the arbitrary symbols , apparently unconnected , appear in the consciousness . But this affective basis is the " reasoning " of the dream , and directs its course . It is the latent content ...
... appear in dream . It is " repressed . " Only the arbitrary symbols , apparently unconnected , appear in the consciousness . But this affective basis is the " reasoning " of the dream , and directs its course . It is the latent content ...
Pagina 235
... appear several times in the pages here reproduced , is made clear by the following quotation from the Preface to his book : " I must appear unfortunate in having laid so much stress on ' feeling , ' just when high authorities are ...
... appear several times in the pages here reproduced , is made clear by the following quotation from the Preface to his book : " I must appear unfortunate in having laid so much stress on ' feeling , ' just when high authorities are ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words