A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 51
Pagina xviii
... appreciation . It is easy to say as Royce does , “ Live as if thine and thy neighbor's life were one to thee . " But how can one do so if there is no way to share our appreciations by means of a vivid and effective language ? Although ...
... appreciation . It is easy to say as Royce does , “ Live as if thine and thy neighbor's life were one to thee . " But how can one do so if there is no way to share our appreciations by means of a vivid and effective language ? Although ...
Pagina 216
... appreciation of another kind ; the greatest capacity both for enjoyment and creation is highly specialized and exclusive , and hence the greatest ages of art have often been strangely intolerant . The invectives of one school against ...
... appreciation of another kind ; the greatest capacity both for enjoyment and creation is highly specialized and exclusive , and hence the greatest ages of art have often been strangely intolerant . The invectives of one school against ...
Pagina 329
... appreciation of art is a thing to be ashamed of ; the majority of the charming and intelligent people with whom I am acquainted appreciate visual art impurely ; and , by the way , the appreciation of almost all great writers has been ...
... appreciation of art is a thing to be ashamed of ; the majority of the charming and intelligent people with whom I am acquainted appreciate visual art impurely ; and , by the way , the appreciation of almost all great writers has been ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words