A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 78
Pagina 155
... artists and of all primitive artists . But in certain ages society has made the artist an exponent of the moral and ideal emanations of the super - ego , and art has thus become the handmaid of religion or morality or social ideology ...
... artists and of all primitive artists . But in certain ages society has made the artist an exponent of the moral and ideal emanations of the super - ego , and art has thus become the handmaid of religion or morality or social ideology ...
Pagina 376
... artists , at least as technical " manners " or traits , can facilitate artistic responses to stimuli . They can constitute mechanisms of action ready to cope with creative impulses , and they can enable the artist to ride the crest of ...
... artists , at least as technical " manners " or traits , can facilitate artistic responses to stimuli . They can constitute mechanisms of action ready to cope with creative impulses , and they can enable the artist to ride the crest of ...
Pagina 397
... artist of to - day does not continue the work of the artist of yesterday ; every work is closed in itself and has no objective reference to any other work of art . But we must return to our central proposition . We said that science ...
... artist of to - day does not continue the work of the artist of yesterday ; every work is closed in itself and has no objective reference to any other work of art . But we must return to our central proposition . We said that science ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words