A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 69
Pagina 36
... aspect , and man in his originating activity can only slavishly follow the models provided by Nature . He is not , so far as that aspect of art is concerned , a creator but merely an imitator . But art has its subjective aspect , and ...
... aspect , and man in his originating activity can only slavishly follow the models provided by Nature . He is not , so far as that aspect of art is concerned , a creator but merely an imitator . But art has its subjective aspect , and ...
Pagina 116
... aspect of our feelings , that aspect which speech has set down once for all because it is almost the same , in the same conditions , for all men . Thus , even in our own individual , individuality escapes our ken . We move amidst ...
... aspect of our feelings , that aspect which speech has set down once for all because it is almost the same , in the same conditions , for all men . Thus , even in our own individual , individuality escapes our ken . We move amidst ...
Pagina 347
... aspect of form ; and you may pursue interesting discus- sions on this basis , though no principle or ultimate ... aspects , is always in his mind ; and he is always aiming at a richer , truer , more intense repeti- tion of that ...
... aspect of form ; and you may pursue interesting discus- sions on this basis , though no principle or ultimate ... aspects , is always in his mind ; and he is always aiming at a richer , truer , more intense repeti- tion of that ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words