Dall'interno del libro
Risultati 1-3 di 91
Pagina 153
Cf. also Freud: "We may go on to consider the interesting case in which
happiness in life is sought first and foremost in the enjoyment of beauty, wherever
it is to be found by our senses and our judgment, the beauty of human forms and
...
Cf. also Freud: "We may go on to consider the interesting case in which
happiness in life is sought first and foremost in the enjoyment of beauty, wherever
it is to be found by our senses and our judgment, the beauty of human forms and
...
Pagina 193
GEORGE SANTA YANA The Nature of Beauty The Philosophy of Beauty Is a
Theory of Values It would be easy to find a definition of beauty that should give in
a few words a telling paraphrase of the word. We know on excellent authority that
...
GEORGE SANTA YANA The Nature of Beauty The Philosophy of Beauty Is a
Theory of Values It would be easy to find a definition of beauty that should give in
a few words a telling paraphrase of the word. We know on excellent authority that
...
Pagina 222
ures often makes one beauty. In Shakespeare's LIVth sonnet are these words: O
how much more doth beauty beauteous seem By that sweet ornament which truth
doth give! The rose looks fair, but fairer we it deem For that sweet odor which ...
ures often makes one beauty. In Shakespeare's LIVth sonnet are these words: O
how much more doth beauty beauteous seem By that sweet ornament which truth
doth give! The rose looks fair, but fairer we it deem For that sweet odor which ...
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Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become Benedetto Croce called character CHRISTOPHER CAUDWELL Clive Bell color concrete connection consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words