A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 153
... beauty , wherever it is to be found by our senses and our judgment , the beauty of human forms and movements , of natural objects , of landscapes , of artistic and even scientific creations . As a goal in life this esthetic attitude ...
... beauty , wherever it is to be found by our senses and our judgment , the beauty of human forms and movements , of natural objects , of landscapes , of artistic and even scientific creations . As a goal in life this esthetic attitude ...
Pagina 193
An Anthology Melvin Miller Rader. GEORGE SANTAYANA THE NATURE OF BEAUTY The Philosophy of Beauty Is a Theory of Values It would be easy to find a definition of beauty that should give in a few words a telling paraphrase of the word . We ...
An Anthology Melvin Miller Rader. GEORGE SANTAYANA THE NATURE OF BEAUTY The Philosophy of Beauty Is a Theory of Values It would be easy to find a definition of beauty that should give in a few words a telling paraphrase of the word . We ...
Pagina 220
... beauty . The Definition of Beauty We have now reached our definition of beauty , which , in the terms of our successive analysis and narrowing of the conception , is value positive , intrinsic , and objectified . Or , in less technical ...
... beauty . The Definition of Beauty We have now reached our definition of beauty , which , in the terms of our successive analysis and narrowing of the conception , is value positive , intrinsic , and objectified . Or , in less technical ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words