Dall'interno del libro
Risultati 1-3 di 79
Pagina 70
In order to become emotional they must become parts of an inclusive and
enduring situation that involves concern for objects and their issues. The jump of
fright becomes emotional fear when there is 70 REALITY AND IMAGINATION.
In order to become emotional they must become parts of an inclusive and
enduring situation that involves concern for objects and their issues. The jump of
fright becomes emotional fear when there is 70 REALITY AND IMAGINATION.
Pagina 254
We have used mathematical and geometrical abstractions so much that the
elements among which these abstract relations subsist have literally vanished, as
points have become by definition the vanishing points of lines, and lines the ...
We have used mathematical and geometrical abstractions so much that the
elements among which these abstract relations subsist have literally vanished, as
points have become by definition the vanishing points of lines, and lines the ...
Pagina 385
1893-7, but did not become known to Lee until 1899. Her own account was
published two years before she discovered Lipps in an article "Beauty and
Ugliness" appearing in the Contemporary Review. She believes that many aims
operate to ...
1893-7, but did not become known to Lee until 1899. Her own account was
published two years before she discovered Lipps in an article "Beauty and
Ugliness" appearing in the Contemporary Review. She believes that many aims
operate to ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
20 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become Benedetto Croce called character CHRISTOPHER CAUDWELL Clive Bell color concrete connection consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |